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Section 3: The work of the wood carver (choukokushi)
https://doi.org/10.34382/00012291
https://doi.org/10.34382/00012291a79c1b42-1185-441e-b47c-ab077e0abcc8
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
WEB.pdf (13.1 MB)
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| Item type | 学術雑誌論文 / Journal Article(1) | |||||
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| 公開日 | 2009-06-29 | |||||
| タイトル | ||||||
| タイトル | Section 3: The work of the wood carver (choukokushi) | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | eng | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | Japanese traditional carving skills, Buddhist family altar (butsudan), places where carvings are found on the butsudan, materials, tools, techniques, modernisation | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | journal article | |||||
| ID登録 | ||||||
| ID登録 | 10.34382/00012291 | |||||
| ID登録タイプ | JaLC | |||||
| URI | ||||||
| 表示名 | http://hdl.handle.net/10367/145 | |||||
| URL | http://hdl.handle.net/10367/145 | |||||
| 著者 |
EADES, Carla NISHIYAMA Yuriko YANASE Hiroko
× EADES, Carla NISHIYAMA Yuriko YANASE Hiroko |
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| 公開者 | ||||||
| 出版者 | Ritsumeikan Center for Asia Pacific Studies | |||||
| 言語 | en | |||||
| 書誌情報 |
p. 1-41, 発行日 2005 |
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| 著者版フラグ | ||||||
| 出版タイプ | AM | |||||
| 出版タイプResource | http://purl.org/coar/version/c_ab4af688f83e57aa | |||||
| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | In the introduction to this section the local situation is set in a village of wood carvers near to Hikone, Shiga Prefecture. Next, the placement and finishing treatment of carvings on a butsudan are covered along with details of the carvers’ designs and patterns. Tools and choices of materials are dealt with. Measuring, making the patterns, marking the wood, rough and ‘finish’ carving are described in detail. Finally, with the use of pictures, the process is followed from the initial commission of the works to their installation on the butsudan. An attempt has been made to portray the choukokushi’s attitude to the problems arising from the shift towards modern cost-cutting methods, by using direct quotes throughout. The table of contents, at the beginning of this section gives a comprehensive list of topics. Photos and drawings, including some from the artisan himself are included in this section. | |||||
