WEKO3
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Section 1: The work of the cabinet-maker (kijishi)
https://doi.org/10.34382/00012290
https://doi.org/10.34382/0001229023d9f8af-f965-4949-a029-8f0d2a3c9c8b
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
WEB.pdf (6.3 MB)
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| Item type | 学術雑誌論文 / Journal Article(1) | |||||
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| 公開日 | 2009-06-29 | |||||
| タイトル | ||||||
| タイトル | Section 1: The work of the cabinet-maker (kijishi) | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | eng | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | styles of Buddhist family altar (butsudan) by Buddhist sect, Japanese traditional cabinetry, tools, materials, techniques, assembly | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | journal article | |||||
| ID登録 | ||||||
| ID登録 | 10.34382/00012290 | |||||
| ID登録タイプ | JaLC | |||||
| URI | ||||||
| 表示名 | http://hdl.handle.net/10367/144 | |||||
| URL | http://hdl.handle.net/10367/144 | |||||
| 著者 |
EADES, Carla NISHIYAMA Yuriko YANASE Hiroko
× EADES, Carla NISHIYAMA Yuriko YANASE Hiroko |
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| 公開者 | ||||||
| 出版者 | Ritsumeikan Center for Asia Pacific Studies | |||||
| 言語 | en | |||||
| 書誌情報 |
p. 1-24, 発行日 2005 |
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| 著者版フラグ | ||||||
| 出版タイプ | AM | |||||
| 出版タイプResource | http://purl.org/coar/version/c_ab4af688f83e57aa | |||||
| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | The first stage in butsudan production is making the wardrobe-like cabinet or body (kiji). This section talks about how to recognize the ‘sect’ of a butsudan by the shape and style of the kiji. It discusses types of chisels and carving tools used by the cabinet-maker (kijishi). Different kinds and cuts of wood, such as zelkova (keyaki) and cedar (hinoki), are explained, along with a description of traditional veneering (hagitsuke) techniques. Measuring, cutting and preparing the pieces are discussed. Finally the assembly processes are described in detail, since they show the kijishi’s skill to the full. Some attempt has also been made to portray the artisan’s personality and his ways of combating modernisation by attempting to strengthen peoples’ attitudes to traditional Japanese craft skills. Please see the table of contents at the beginning of this section for a comprehensive list of the topics included. Drawings and photos are used to help with understanding. | |||||
