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Section 6: The work of the gilders (kinpakuoshishi & fundameshi)
https://doi.org/10.34382/00012289
https://doi.org/10.34382/00012289756f42ae-5bfd-4c6f-8f2f-71d2477d9a41
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
web.pdf (13.1 MB)
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| Item type | 学術雑誌論文 / Journal Article(1) | |||||
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| 公開日 | 2009-06-29 | |||||
| タイトル | ||||||
| タイトル | Section 6: The work of the gilders (kinpakuoshishi & fundameshi) | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | eng | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | traditional Japanese gilding, butsudan, leaf making, styles of gilding, gold powder (kinpun), gold leaf (kinpaku), tools, materials, leaf making processes, techniques – leafing (kinpakuoshi), powdering (fundame), | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | journal article | |||||
| ID登録 | ||||||
| ID登録 | 10.34382/00012289 | |||||
| ID登録タイプ | JaLC | |||||
| URI | ||||||
| 表示名 | http://hdl.handle.net/10367/143 | |||||
| URL | http://hdl.handle.net/10367/143 | |||||
| 著者 |
EADES, Carla NISHIYAMA Yuriko YANASE Hiroko
× EADES, Carla NISHIYAMA Yuriko YANASE Hiroko |
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| 公開者 | ||||||
| 出版者 | Ritsumeikan Center for Asia Pacific Studies | |||||
| 言語 | en | |||||
| 書誌情報 |
p. 1-64, 発行日 2005 |
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| 著者版フラグ | ||||||
| 出版タイプ | AM | |||||
| 出版タイプResource | http://purl.org/coar/version/c_ab4af688f83e57aa | |||||
| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | A short history of leaf making is given in the introduction. This is followed by a description of the two styles of gilding either using whole leaves (kinpaku) or leaf that has been ground into powder (kinpun). These are important in that traditionally Hikone butsudan were predominantly gold. Tools and materials are considered next. With the aid of drawings and photos, the leaf making process is discussed in terms of both how the leaf itself and how the papers used for interleafing are made. Some characteristics of gold powder are discussed but please refer to the section on makie for a more comprehensive explanation. Finally, techniques of both leafing and powdering are described. Some of the problems encountered by the artisans are looked at, along with their attitudes towards modernisation. Please refer to the table of contents at the beginning of this section for more details. | |||||
