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2021-06-18T13:46:43+09:00
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Ritsumeikan Univ.KO-673
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(An Analysis of Early Film Spectators based on the Forms of Film Exhibiti\
on: Focusing)Tj
11.959 -1.211 Td
(on the Cases in the Tokyo City)Tj
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12 0 0 12 486.3496 742.5 Tm
(UEDA Manabu)Tj
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(This thesis attempts to clarify the change in early film spectators betw\
een the mid-1900s \(1903-06\) and the)Tj
-1 -1.5 Td
(late 1900s \(1907-10\) in Tokyo based on investigation into the forms of\
film exhibitions and focusing)Tj
0 -1.5 TD
(spectatorships and social audiences. )Tj
T*
(In the Russo-Japanese war \(1904-05\), cinema audiences were comprised m\
ainly of the middle class who)Tj
T*
(could visit theaters. At that time, the spectatorship comprised a combin\
ation of various films and shows that)Tj
T*
(yielded a thematic narrative of the war \(Chapter 1\). However, the spec\
tators included not only the middle)Tj
T*
(class going to film exhibitions in entertainment areas during the Russo-\
Japanese war but also the wealthy)Tj
T*
(class who frequented movie picture shows held outside the entertainment \
areas \(Chapter 2\).)Tj
T*
(Spectatorships and social audiences, however, had been greatly transform\
ed during the late 1900s. Moving)Tj
T*
(picture theaters of Asakusa area had been shifted to the central part of\
the city for film exhibitions in Tokyo)Tj
T*
(during the late 1900s. The transition in the form of film exhibitions wa\
s due to increasing inflow of cinema)Tj
T*
(audiences, particularly because of the low class frequenting the cinema \
and playgoers feeling familiar with)Tj
T*
(cheap small theaters \(Chapter 3\). Then, the spectatorship changed in t\
hat individual films had separate)Tj
T*
(narratives and were not a combination of films \(Chapter 4\). At the sam\
e time, Kisha katsudo shashinkan)Tj
T*
(opened in the Children's Exposition held in Mitsukoshi. The emergence of\
the new film exhibition was)Tj
T*
(projected as a new academic education movement meant to objectify childh\
ood \(Chapter 5\).)Tj
T*
(That is, the change in spectatorships and social audiences coincided wit\
h the transition of the forms in film)Tj
T*
(exhibitions during the late 1900s when motion pictures were suddenly bei\
ng increasingly produced in Tokyo.)Tj
ET
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