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Ritsumeikan Univ.KO-563
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(Aesthetics and Ethics of Classical Film Theory Nakagawa Juhrei, Hugo Mun\
sterberg,)Tj
10.999 -1.211 Td
(Konrad Lange, Tanigawa Tetsuzo)Tj
/TT1 1 Tf
12 0 0 12 489.666 742.5 Tm
(Ryo SHINOGI)Tj
-37.097 -2.313 Td
(I pick up Nakagawa Juhrei, Hugo Munsterberg, Konrad Lange, and Tanigawa \
Tetsuzo as writers of)Tj
-1 -1.5 Td
(Classical Film Theory. They all wrote theoretical articles for Film in e\
arly 20 century. I am going to explain)Tj
0 -1.5 TD
(that the relations between Aesthetics and Ethics are very significant in\
their theory. For, I think, their)Tj
T*
(aesthetics approach ethical consequences through the considerations for \
the filmic medium.)Tj
1 -2.5 Td
(In chapter I, I trace the biography of Nakagawa Juhrei. For a long time,\
he has been forgotten. He was one)Tj
-1 -1.5 Td
(of the major aestheticians and Haiku-poets in 1910s. In chapter II, I tr\
y to elucidate his original theory "Huri-)Tj
T*
(Husoku" in his book Shoku-hai-bigaku\(1911\) . Nakagawa's "Huri-Husoku" \
theory came from "Illusion)Tj
T*
(Theorie" of Konrad Lange.)Tj
1 -2.5 Td
(In chapter III and IV, Hugo Munsterberg is discussed. Firstly, I explain\
his neo-kanttian philosophy from)Tj
-1 -1.5 Td
(his Philosophie der Werte\(1908\) and The Eternal Values\(1909\). And I \
clarify that his philosophy effected the)Tj
T*
(film theory The Photoplay: A Psychological Study\(1916\). Next I elucida\
te his body aesthetics from his)Tj
T*
(psychological studies, The Principles of Art Education: A Philosophical,\
Aesthetical and Psychological)Tj
T*
(Discussion of Art Education\(1904\) and Psychology: General and Applied\(\
1915\).)Tj
1 -2.5 Td
(In chapter V, the German historian for art and aesthetician, Konrad Lang\
e is the theme. I make a case for)Tj
-1 -1.5 Td
(the resemble between Walter Benjamin's theory and Lange's aesthetics and\
ethics in Das Kino: In Gegenwart)Tj
T*
(und Zukunft\(1920\).)Tj
1 -2.5 Td
(In chapter VI, I write the Japanese history of receiving Das Kino: In Ge\
genwart und Zukunft and The)Tj
-1 -1.5 Td
(Photoplay: A Psychological Study in 1910-1920s..)Tj
1 -2.5 Td
(Last chapter VII, I explain the standpoint of Tanigawa Tetsuzo as a ciri\
tic. Tanigawa was a Japanese)Tj
-1 -1.5 Td
(Philosopher and critic for literature in 1930s. He translated The Photop\
lay: A Psychological Study into)Tj
T*
(Japanese.)Tj
ET
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